elektra hofmannsthal interpretation

Im Buch gefunden – Seite 64Hier, in dieser Rede, ist jener Punkt der Selbstauflösung erreicht, den Hofmannsthals Interpretation mit dem Satz „Elektra ist nicht mehr Elektra, ... of interpretation, finds that Elektra, KlytAmnestra, and Chrysothemis are all hysterics. 21. Army. Im Zentrum steht die Untersuchung, Analyse und Begründung der Wirkungsweise literarischer Texte auf den Rezipienten. He was a son of Atreus, who had a long-running quarrel with Thyestes. im Mauerwinkel zeig dich deinem Kind! Vor dem Hintergrund der Psychoanalyse bemerkte ich die Bedeutung von Elektras Traum- beziehungsweise Trancezuständen, in welchen sie in besonderer Grausamkeit den Mord am Vater erneut durchlebt und sich ihrer Rache an der Mutter (Vgl. Frankfurt a. M.: Athenäum Verlag 1972, S. 116, 7 Brandes, Georg: Griechische Gestalten in neuerer Poesie. The period from 1890 to the outbreak of World War I in 1914 produced an unprecedented flowering of Vienna’s artistic and intellectual life. οταν η σκονη και ο κονιορτος της παραζαλης των επιφαινομενων κατακαθεται, το μονο που μενει ειναι η αγαπη, In Elektra, Hofmannsthal closely followed Sophocles' literary model in terms of content. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909. The following synopsis is from the Metropolitan Opera of New York, Libretto by Hugo von Hofmannsthal, adapted from his play Von Hofmannsthal’s Elektra has some decadent elements in common with Wilde’s play. The Furies (spirits who punished those guilty of crimes against their own family) pursued Orestes and drove him mad. Calling on her father’s spirit, she renews her vow of vengeance. The voice is pure in the upper staves (important in this opera), and has marvellous power in reserve for her confrontation with Klytemnestra (a noble interpretation from Enid Szánthó). The collaboration between Strauss and Hofmannthal lasted for more than 20 years and became one of the most famous partnerships in operatic history, though neither was to produce work of such dreadful intensity again…….”. Trois ans plus tard, après le succès aux relents sulfureux de Salomé (opéra créé en 1905), , en e Elektra Για να δούμε,μας υποσχεθήκατε ότι θα κάνετε κάτι ιταλικό που σας έμαθε η αξιολάτρευτη κορούλα σας!καλή επιτυχία. υπήρχαν πολύ πιο βαρεμένες από μένα! The fig tree also helps to create an atmosphere of gloom and foreboding. Brandes sieht die Veränderungen bezogen auf Elektra: Er empfindet diese als Vertiefung der Gefühle und somit als einen Verlust der „griechischen Abstraktheit“6 der Figur. Word Count: 393. On Electra’s first appearance, before she even speaks, the stage direction states that she ‘‘bounds back like an animal into its hiding place.’’ Other actions of Electra suggest that of an animal. - Hohes Honorar auf die Verkäufe The word blood in this passage has two meanings: the blood that is shed by Clytemnestra and the ties of kinship the three avengers have with their murdered father. Wie wirkt ein Text? Συγγραφέας. For this reason, the killing of Clytemnestra and Aegisthus is not shown directly. 2.2 Der Mythos und dessen Abwandlung δεν θεωρω οτι αυτη η προσεγγιση ειναι επαρχιωτικη, ειναι μια προσεγγιση που αρμοζει περισσοτερο σε μια διανοουμενη, που επενδυει την υπαρξη της με συμβολα και επιφαινομενα προκειμενου να ενεργοποιηθει και, σρα, να βιωσει, δηλαδη να αποκτησει εμπειρια, η εμπειρια στην προσωπικοτητα της διανοουμενης δεν καταγραφεται παρα μονον αφου λαβει την αδεια του “συμβολισμου”, της “μεταλλαξης” του πρωτογενους ερεθισματος. However, he went far beyond the antique model when designing the personalities of the leading roles. Band 4: Hofmannsthal. The volume examines the many facets of one of Richard Strauss's most complex operas. Είναι αδιάφορο αν μένουν λεπτά ή χρόνια. Hugo von Hofmannsthal was born in Vienna and spent most of his life there. και σου δινουμε ολο το θαρρος, για να εισαι πλεον και επισημα ασταματητη, και πληρης εκφρασεως! Ρουλα μου ευχαριστω.Ας ειναι ουριοι οι ανεμοι για τουτη τη γλυκια παρεα παντα.Καλο σας βραδι. She is obsessed with thoughts of her father’s murder at the hands of her mother, Klytämnestra, and her mother’s lover, Aegisth. Its complex psychologizing cannot disguise its raw brutality. There's been real thought behind the wealth of programming in the company's attempts to keep the world happy for free during lockdown, including a whole Wagner week. Orestes and Electra are principal characters in The Libation Bearers and The Eumenides, two plays by the ancient Greek dramatist Aeschylus. Last Updated on May 6, 2015, by eNotes Editorial. Richard Strauss: “Elektra.” New York: Cambridge University Press, 1989. Von Esselborn wird Elektras als animalisch und dämonisch dargestelltes Wesen auf deren Isolation und Einsamkeit zurückgeführt. Decadent writers lauded art over nature, and explored in their works deviant or bizarre subject matter. Her tirade is interrupted by her younger sister, Chrysothemis, who urges Elektra to give up her obsession with revenge so they both can lead normal lives. Band 4: Hofmannsthal. Darüber hinaus können über Texte und deren Rezeptionsgeschichte Normen der (Entstehungs-)Zeit verfolgt und nachempfunden werden, da der Diskurs jegliche „Kunstproduktion“ prägt. Και μενω στο σχολιο του αγαπητου Μανωλη..”στην μοναδικη ικανοτητα του Δασκαλου να αλλαζει παιχνιδι…”!!!! 37–55. Im Buch gefunden – Seite 20Interpretation of Dreams (1900), all obviously relevant to his conception of the Elektra drama. Specifically, Hofmannsthal's Elektra treated the conflicts ... Vater! In the 1890s, the dominant mood in von Hofmannsthal’s hometown of Vienna, the capital of the great Habsburg Empire, was that of uncertainty. Logical positivism is concerned with the analysis of scientific knowledge, according to the ‘‘verification principle.’’ This principle states that a non-analytic sentence must be empirically testable if it is to possess any meaning. Hammelmann, Hanns, and Ewald Osers, trans. In a way Hofmannsthal's libretto owes almost as much to Freud or Shakespeare as to Sophocles. " Worps believes that the play is a monodrama centered around the figure of Elektra and that Hofmannsthal modeled Elektra on Breuer's patient Anna 0.1' I find this interpretation plausible, as will become evident in my discussion below. Strauss was a secretive man, and his chirrupy letters to Hofmannsthal make no mention of the trauma he was going through, namely that the text was triggering deep anxieties deriving from his own ambivalent attitude towards his parents. Besonders am Schluss erschien mir das Geschehen als sinnlos, denn Elektra stirbt ebenfalls („.. stürzt zusammen.“, S. 59) und die Trauer hat sich ebenso wie die Manipulationsversuche nicht gelohnt. we live forward, but we understand backwards, “It was Sophocles’ Elektra that gave Hofmannsthal another of his triumphs. ο χοφμανσταλ ανεδειξε την ηλεκτρα σαν την γυναικα που το νοημα της ζωης της περναει μεσα απο την εκδικηση και την εξαγνιση του θυτη μεσα στο λουτρο του αιματος του! Elektra's . Word Count: 1073. In addition to the royal palace and the lowly buildings that house the servants, there is to the right an enormous fig tree. βιωσουν την απολυτη μεταβαση στο θανατο! This is an interview with an exceptional musician, who discusses his unique approach to working on classical music in the studio. Im Buch gefundenIn the 1890s, the dominant mood in von Hofmannsthal's hometown of Vienna, ... whose famous work, The Interpretation of Dreams, was published in 1900. Freud’s central ideas are that dreams express the disguised wishes of the subconscious. Wie fühle ich mich und welche Texte gefallen mir in jener Situation? Each age reinvents classical mythology in its own image. It wasn’t until 1906 that they could actually start work together on Elektra, by which time, Strauss, to Hofmannsthal’s alarm, began dithering. Im Buch gefundenHugo von Hofmannsthal wrote his play Elektra in the summer of 1903. ... Freud produced his equally famous and controversial Interpretation of Dreams. Pauly was the most celebrated Elektra of the 1930s and all subsequent performances rest somewhat in the shadows of this titanic and electrifying interpretation. It was based on the Vienna writer's version of the Sophocles drama. Michael, Nancy C., Elektra and Her Sisters: Three Female Characters in Schnitzler, Freud, and Hofmannsthal, Peter Lang, 2001. Among the ruins of La Fenice devoured by fire, recalling the fire that razed the iconic . Reinhardt’s earlier production of Oscar Wilde’s Salome had fired his imagination, and when he saw Elektra on the stage he was already at work on his opera Salome. In Hofmannsthal, however, unlike Freud, there are no cures: Elektra tells her mother her nightmares must continue until the axe falls and extinguishes her life. Theatrical Conventions Kennt man die Tragödie „Elektra“ von Sophokles und vergleicht diese mit der Hofmannsthals, so bemerkt man zunächst „formale“ Unterschiede des moderne Stück zur klassischen Tragödie: Hofmannsthal konzipiert das Stück in Kapitel unterteilt und in einem Akt; Der Chor verschwindet hier ganz. "Elektra . Strauss, meanwhile, saw Elektra during its opening run in the winter of 1903-04 and promptly contacted Hofmannsthal with a view to turning it into an opera. Nur so wie gestern, wie ein Schatten, dort. Fastidious, intellectual and precociously erudite, Hofmannsthal’s head was full of both the naturalistic theatre of Ibsen and Strindberg, and the murky psychological probings of symbolist poetry. He charmed the literary world at the age of 17. Elektra was the fourth of fifteen operas by Strauss and opened his successful partnership with the librettist Hugo von Hofmannsthal. σε αλλονε κανενα”, η ρουλα σα να ξυπνησε Deutsche Autoren im Urteil ihrer Kritiker. η ηλεκτρα θα μπορεσει να ζησει μονο απο τη στιγμη που οι θυτες πεθανουν! Find many great new & used options and get the best deals for Studies in Musical Genesis, Structure, and Interpretation Ser. With over 60 albums under his belt, he has heavily contributed to the history of musical interpretation. Η σχέση τείνει να βγει εκτός χρόνου όσο πιο γνήσια γίνεται όσο και πιο κοντά έρχεται στην αλληλο-περιχώρηση. This is the time in which Elektra lives. Chorus (SATB) Men and women of the household (servants) Orchestra. Blood and animal imagery combine in Electra’s words of scorn to the servants. When Klytämnestra fails to comprehend what her daughter is hinting at, Elektra screams at her that it is Klytämnestra herself who must die and that she and her banished brother Orest will kill her (“Was bluten muss?”). Bei Worbs Interpretation beginnt das Bemerken der neuen Rollenverteilung beziehungsweise Gewichtung zwischen Elektra und Orest damit, dass Elektra als einzige Figur durchgehend auf der Bühne ist und Orest beinahe überflüssig erscheint, wohingegen die beiden Figuren bei Sophokles gleichberechtigt sind. In a way Hofmannsthal's libretto owes almost as much to Freud or Shakespeare as to Sophocles. She addresses her dead father and envisions the moment when revenge has been accomplished by her and her two siblings: we three, when all this is done and purple tents have been raised by the haze of the blood which the sun sucks upward to itself, then we, your blood, will dance around your grave. in 1906, Strauss wrote to Hofmannsthal for permission to set his play. Stunned, Elektra at first refuses to believe her, then tells her sister that she must now help kill Klytämnestra and Aegisth. Frankfurt a. M.: Athenäum Verlag 1972, S. 172, 8 Ae Nam, Jeong: Das Religiöse und die Revolution bei Hugo von Hofmannsthal. What was left was the small country of Austria. The nature of his work, being revolutionary, is often misunderstood by the public. The liberalism that had prevailed in the politics of the Habsburg Empire from the 1860s was virtually over by 1900. ©2021 eNotes.com, Inc. All Rights Reserved. In Elektras Tagesrythmus lassen sich Parallelen zu Freuds Patientin Anna O. erkennen, da erstere abends die Abwesenheit des Vaters verstärkt bemerkt und durch die entstehende Einsamkeit den Mord erneut durchlebt. Im Buch gefunden – Seite 80When all is said and done, we each have to make our own interpretation of this ... Strauss's opera Elektra, with its libretto by Hugo von Hofmannsthal based ... Die Literaturpsychologie stellt eine Fusion aus den beiden Fachgebieten der Germanistik und der Psychologie dar und beschäftigt sich somit aus einer psychologisch geprägten Perspektive mit Literatur. A servant reports that she once broke into howls and threw herself into a corner. Η συλληψη και αποδοση των αιωνιων παθων αλλαζει μορφη στους αιωνες. When Clytemnestra’s sister, Helen, was abducted by the Trojan prince, Paris, Agamemnon raised a Greek force to win her back. Hofmannsthal: Three Essays. When Agamemnon returned from Troy, Clytemnestra and Aegisthus killed him, as well as the two sons that Cassandra had born him. Worbs geht des Weiteren davon aus, dass der Ausbau von Elektras Rolle auf Kosten des Chors stattfand – Für ihn ist dieser jedoch essentiell für eine Tragödie. Michael explores the connections between literary censorship and the political repression of women in works by Arthur Schnitzler, Sigmund Freud and Hugo von Hofmannsthal (Electra), all written between 1900 and 1905. In: Wirkungen der Literatur. The most direct link to Hofmannsthal was by way of the drama Elektra, performed in Vienna in May 1905, to which Freud devoted a special meeting of the Wednesday Society on May 24, 1905. "At the conclusion of Salome," observed the critic Paul Bekker, "everything is left in a state of breathless excitement, while the end of Elektra produces only a feeling of grateful relief." The potential for intensification by music is first and foremost what attracted Strauss to Hugo von Hofmannsthal's 1903 play. Αντωνοπούλου, Αναστασία. “να την ακους την μανα σου Im Buch gefunden – Seite 200Die auffälligste Änderung , die Hofmannsthal am Elektra - Mythos vornimmt , besteht darin ... werden sie die nachfolgende Interpretation strukturieren . Aegisth arrives, having heard the news of Orest’s death, and Elektra lights his way into the palace with sarcastic courtesy. Sophocles’ Electra, centring on the heroine’s grief for her father and her overwhelming desire for Orestes to return to shed his mother’s blood, is widely regarded as the most psychologically advanced of Greek tragedies though Sophocles still presents the Atreides as motivated by divine commandments. Hugo von Hofmannsthal was one of the Austrian poets and intellectuals who took an active part in the historical-political events of 1914. The monologue is sung by the unforgettable Hildegard Behrens, who died earlier this year at the age of 72. München: Wilhelm Fink Verlag 1969, S. 135, 12 Harden, Maximilian: Elektra. Her first Elektra in 1980 was on February 1 and this recording is from February 16. It is in a shadowy, dark world that they converse. Κατ αυτήν την έννοια η γνώση ισοδυναμει με άνοδο κλίμακας στο διηνεκές. Its complex psychologizing cannot disguise its raw brutality. Im Buch gefunden – Seite 169Hofmannsthal's Elektra received much antagonistic criticism: it was ... Hofmannsthal's re-interpretation of Sophocles reflected the zeitgeist ofhis times, ... Elektra has often been cited as the first play to take Freudian theory on board. The Mon (8/02) screening has been ***CANCELED!!! Hofmannsthal gestaltet seine Elektra im Zeichen dieser mythischen Ambivalenz. να ευχηθω καλη ξεκουραση μετα το ξενυχτι στη δουλεια! Its single act hurtles through a series of confrontations towards the fatal dance of triumph at its conclusion. Mycenae, ancient Greece. Bereits durch die Anweisungen Hofmannsthals bezüglich des Bühnenbildes wird dessen Intention der Abgrenzung vom ursprünglich antiken Schauplatz des Stücks deutlich. Interessanterweise beginnen alle Interpretationen mit einem Vergleich bedeutender Elemente mit Sophokles „Elektra“. Ich werde mich im Folgenden aus literaturpsychologischer Sicht mit meiner und den Interpretationen anderer von Hugo von Hofmannsthals „Elektra“ beschäftigen: Jede Interpretation, ob positiv oder negativ, legt inhaltliche Schwerpunkte auf Unterschiede und Gemeinsamkeiten mit Sophokles „Elektra“, die verschiedenen Frauenrollen und deren Verhältnis zu den Männern, wie auch die Auslebung und Rechtfertigung der Rache und den Einfluss von Freuds Psychoanalyse. This golden age of Viennese culture came to an abrupt end when war enveloped Europe. πόσο αλάτι να βάλω). “μα τι ειναι αυτα που κανω; Last Updated on May 6, 2015, by eNotes Editorial. Im Buch gefunden – Seite 295... Diskurses wurden nach Worbs für die Interpretation fruchtbar gemacht. ... Hofmannsthals und Reinhardts Begegnung in der Arbeit an Elektra”. Auch Elektras indirekte Teilnahme an der Tat durch Überredungsversuche und Zusehen wird als unweiblich bemerkt, obwohl Elektra selbst nicht mordet16. Όμηρε,Όμηρε γιατί με κράτησες όμηρη? Αργώ ή Πλους Αεροστάτου – Argo, or a Balloon’s Flight, Window in Schönbrunn Palace, Vienna, Austria, House in the village of Lefkes, Paros island, Greece, Η βραχύβια διατίμηση στα είδη πρώτης ανάγκης στην Αθήνα του 1921. Autor: Hugo von Hofmannsthal (1874-1929) Art: Tragödie. München: Herbert Utz Verlag 2010, S. 26 ff, 9 Esselborn, Karl: Hofmannsthal und der antike Mythos. Τέλος πάντων. Free shipping for many products! In some respects this is erroneous, since the only psychoanalytic work Hofmannsthal knew at the time was Studies on Hysteria, co-written by Freud and Joseph Breuer and published in 1895. Noises from the palace signal the imminent arrival of the queen, and Sprache und Literaturwisschenschaft. Tell briefly about Electra's mother Clytemnestra. Αν υπήρχε, τότε το μοναδικό δεν θα ήταν μοναδικό, θα ήταν επανάληψη του νοήματος του. Im Buch gefunden – Seite 161... der Tragödie „ Elektra “ von SOPHOKLES , rückt bei Hofmannsthal die ... sich vorzugsweise an die Selbstinterpretation Hofmannsthals in seinen späten ... 8 horns (horns 5-8 also Wagner tubas), 6 trumpets, bass trumpet, 3 trombones . 53, No. Freud’s thought has been modified and expanded by his followers and interpreters. Of special importance is the . Band 4: Hofmannsthal. I got to know his work from the operas of the German composer Richard Strauss. In: Psychoanalyse in der modernen Literatur. The only child of a bank director, Hofmannsthal studied law at Vienna. Freud's Studies of Hysteria had been published and one case study of a patient with split personality resembles some of Elektra's symptoms. *** The Royal Opera House of London performances will have to be suspended well beyond April 19th, so the remainder of the current 2019/20 cinema season is now cancelled -with it all upcoming ROH cinema engagements including Fidelio, Swan Lake, Cavalleria Rusticana/Pagliacci, The Dante Project and Elektra. The opera had hit raw nerves. He is also considered a master of German lyric poetry. Linked to this are the many references to looking or gazing. Log in here. The dogs in the courtyard know me, the stranger replies, but not my own sister? Clytemnestra bore Agamemnon four children: Iphigenia, Electra, Chrysothemis, and Orestes. They are also the subjects of Sophocles’s Electra and Euripides’s Electra and Orestes. “……..Yet beneath some of those early comments lurked distorted vestiges of the truth. 60, No.1, Winter 1987, pp. Our summaries and analyses are written by experts, and your questions are answered by real teachers. Darüber hinaus ist der Schauplatz des Stückes der Hinterhof des Palasts, welcher geheimnisvoll dunkel wirkt und wo sich meist Sklaven aufhalten, äußerst ungewöhnlich. Elektra does, however, anticipate not only psychoanalysis, but other developments in psychiatry. Elektra erscheint als ausschließlich durch ihre Emotionen gesteuert, wobei es uns als logisch erscheint, rational zu denken und Folgen abzuwägen. Loris, Theophil Morren) — 1884-1892 Akademisches Gymnasium Wien; 1890 erste Gedichtveröffentlichungen, ab 1890 Bekanntschaft mit A. Schnitzler, R. Beer-Hofmann, H. Bahr und F. Salten (Kreis. μονο που ολα τα ειχατε βαφτισει Ομηρο, και διοχετευατε την λιμπιντικη σας ενεργεια αποκλειστικα στο ονομα αυτο! Manchester: Carcanet Press, 1983. και τώρα τρέχω σούμπιντο 12 Thesis: It is agreed that Hofmannsthal's Elektra is the product of the atmosphere of fin-de-siècle Vienna and his modernity. δεν ειναι αυτος αντρας για σενα μονο θα ηθεα να σε παρακαλεσω θερμα να μην σταματας τη ροη του λογου σου, ειτε αμεσως ειτε οχι, θεωρω την αυθορμητη και αυθεντικη εκφραση ως θεμελιακη αρετη, και αποδειξη της ελευθεριας του ανθρωπου!
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